Elisabeth, Eric, me, and Lisa–Photo by Jonathan Cohon Copyright 2014
10:30 last night I drove back home in the snow from an incredible event with Eric Whitacre. So far exceeded any unconscious expectations I might have had, I was flying. It’s hard to pin down exactly why we were so thoroughly buzzed after. Everything lined up so perfectly it was one of those rare times when I felt in exactly the right place at exactly the right time, entirely content.
To recap: The latest snow—in one of the snowiest winters ever—held off for the drive in. I did not get turned around in Evanston, (which happens to me often). Easy parking in a covered lot a block away. Welcomed by new Virtual Choir friends, Elisabeth (and Jonathan), Darrell (and Penna), and Lisa at The Celtic Knot Pub in Evanston, where the food was good and the company was awesome!
Elisabeth, Lisa, Penna, Darrell and me–Photo by Jonathan Cohon Copyright 2014
At the urging of Darrell Polka, I read the most recent of my Eric Whitacre-Virtual Choir inspired poems to the group (see below). We then walked over to the Alice Millar Chapel at Northwestern University just as the snow was beginning to accumulate. Lovely dusting and reasonably warm (for these days). Beautiful space. Got to hear Eric rehearsing the Apollo Chorus singing his piece, Lux Aurumque, a conducting master class. Transcendent! He talked us through some of his creative process with such humor and warmth. Excellent questions asked in the Q & A with such thoughtful, vulnerable, insightful answers. We even all got to sing a few bars of a piece he is working on and then hear Lux Aurumque in entirety. Just soaked right into me!
Then the meet and greet (maybe as many as 700 of us). Eric is one of those rare people who can captivate an audience and also fully connect with individuals. He focused on each of us in turn, gracious and generous. Responsive, receiving, and…well, genuine. His energy and enthusiasm is just so contagious! I delivered the three poems to him, got a CD signed and photos taken (by Jonathan). Talked a minute or so and some whirlwind hugs. Floating…
When I first heard about Eric Whitacre coming nearby, I was recovering from major abdominal surgery and felt too vulnerable to go out on my own, certainly not drive and walk out in the slippery snow! Even though I wanted to meet my local Virtual Choir friends in real life, I didn’t plan on going. At some point, I decided to stop thinking about whether to go or not and just see if it all came together. Get out of my own way. I emailed for a ticket and that was good. Emailed the restaurant and they got back to me in an hour (yes, they had a gluten-free menu, very accommodating). And that was good. Parking was nearby. That was good. The weather was manageable and most of all I recovered. Walking the few minutes, even in snow was a piece of cake. That was good. Reassuring. As I said to Elisabeth, it all worked out. My job was to let it. Have you ever had that experience when you let go and allowed your life to come together?
Here are the poems, part of the ongoing collection inspired by Eric Whitacre and Virtual Choir.
8/28/13
Eric Whitacre: Godzilla Eats Las Vegas
(with Elvises)
There is music
takes itself so serious
and then
there is music
without a serious bone
that can sink in
to the dark places
and lighten
lift out of
and up
soaring without risk
of falling back.
Margaret Dubay Mikus
© 2013
8/28/13
Cracked Open After Louise Penny
While listening to Arvo Pärt Cantus in memoriam Benjamin Britten,
Proms, 2010 on YouTube—posted by Eric Whitacre on Facebook
Not about fixing
the irreparably broken
but creating
the newborn form
to take its place
in memoriam,
to allow, not push or defend
deliberate shoots that spring up
through soil
even if not particularly fertile,
and shoots can grow
into something novel
and bloom someday
into something as yet
merely envisioned…
almost.
To take the risk
as if…
Margaret Dubay Mikus
© 2013
10/2/13
Subset of Virtual Choir
Glow
Why
spend precious hours
on a seasonal short song
to sing into a camera and send?
Naked it feels
to risk a public
miscalculation
of being less than…
perfection.
The charismatic man
behind the tune
calling for the tribe,
offering a vision,
a chance to gather
even in competition
some, not all, will win. Why?
To open the door and get inside,
sync with the rhythm,
learn music from intent repetition
and deliver the song
to the green dot and beyond.
Why, again why?
Because to live
is to risk, is to stretch
is to grow, is to know
possibility of
contentment within
even virtual achievement.
To be connected,
not alone, to belong
through trials, through song
Innate in the genes, to be together,
though apparently separate.
For the inspiration,
follow the inclination,
why do anything,
hit a ball with a bat,
throw or jump or run,
pull a bow across strings,
stroke a key or blow into a tube,
riff on a guitar or beat a drum
is to express being…human
being with virtual friends.
Margaret Dubay Mikus
© 2013
You may also like previous posts with poems inspired by Eric Whitacre and Virtual Choir