Category Archives: healing

Belated Happy Easter!

This poem is a true story from last Easter. When I read it again it was like memory, seeing the scene play out in my eyes, but stripped of the powerful emotions of that morning. I know it was no accident everything happened as it did. What fruits are borne of this Easter morning re-birth is up to each one of us.For those who might not know, Reiki is a kind of divinely guided healing energy (universal life force) that is transmitted through the hands. Anyone can learn to do this. For 12 years, I have used Reiki almost daily for myself and others. It is powerful and gentle. It is great first aid. And is always available. A complete Reiki session can be very relaxing. As mentioned in the poem, Reiki can be helpful for emotional issues as well as physical or mental. I often add a visual like the gold globe or bubble to protect the person or strengthen them. In this case, Reiki was calming for me, as well as potentially helping the man and the medical techs.

3/23/08

Easter High Mass

After Dawn finished singing
her angelically beautiful “Alleluia,”
the heart of the man at the right back
of the Easter-filled Church of St. Patrick…

well, his heart stopped. And those around him
alert to his plight shouted out for help.
Many called 911 on cell phones.
A woman, outwardly calm, did CPR.

Briefly, a priest in vestments bent in blessing.
A man rolled up the sleeves of his blue dress shirt
and did his part: one shock of the defibrillator,
following instructions. Others gathered

in an anxious half-circle around them.
The filled church was quiet except for fussy babies
and squirming toddlers. High Mass did not begin.
Father H. strode to the front and led

an “Our Father” and a “Hail Mary” for the stricken man.
Time slowed down. Words softly spoken
could be heard across the rows of wooden pews.
Firemen arrived quickly and took over.

IV begun…slow beeping…slowly… moans as, I assume,
the man returned to us. I held the hands of my daughter
on my left and my husband on my right. At the start, I tried
to send the healing energy of Reiki, but felt too much emotion

to finish. I heard in my head a strong, clear, firm voice:
to concentrate on placing a gold bubble
around the workers and the man, and
to fill that bubble with Loving Light—

as I have done before. I did this.
Immediately I felt calm. Then in my imagination I gathered
the strands of fear and anxiety that swirled around
and sent them out through the central skylight, up into the Light.

Rescue efforts continued; the fireman
wearing the heavy coat wiped his brow.
Another held the IV bag high in his blue-gloved hand,.
Snow-coated pines, sunlight, shrubs and blue sky,

a serene backdrop behind them.
I remembered to breathe, and kept breathing deliberate breaths.
Finally the gurney was raised, the IV bag and tubing now clipped
high in its stand. Surrounded by help, the man was wheeled out the back.

Those standing returned to their seats. Music resumed;
processional from back to front, Father and two girl servers.
“Jesus Christ Is Risen Today! Alleluia!”
Throughout the Mass, the man was mentioned:

a prayer to surround him in healing grace.
What fruits are borne of this Easter morning re-birth
is up to each one of us. For me: this poem,
my way to reflect and release and remember.

Margaret Dubay Mikus
© 2008

My Dad’s Birthday

April 2nd was my father’s birthday. Family story has it that his mother held out when she was in labor with him so he would not be born on April Fool’s Day. I don’t know if it works that way, a baby is born when he or she is ready. In any case he was born on April 2.About 23 years ago, when he was just 60, he died of a heart attack following minor surgery. He was a complex man. In many ways I was a Daddy’s girl. But at other times I was an outcast too. I’ve written a lot about many facets of our complex relationship. Here are four of those poems. “The Legacy” is from the very beginning of my poetic journal. “Upon Serious Consideration” I wrote when I was trying to deal with emotions (particularly fear) of being diagnosed with elevated blood pressure, which my dad had for a long time. The other two poems were triggered by contemplating feet and from yoga meditation, respectively. I never know when some bit of truth is going to come through.

10/14/95

The Legacy

My dad had a way of seeing
that he passed on to me,
a way of looking at small things
like spider webs and squirrels,
a way of looking at large things
like waterfalls and sunsets.

He knew when there would be
an eclipse of the moon
and we would watch.
We’d sit out on August nights,
lying back on our picnic table,
to search the skies for falling stars.

He knew how things worked,
how to take apart and
put back together.
He could fix bikes and cars
and washers and plumbing,
and I got some of this, too.

When I was older
my dad had a way of receiving
just what I had to give,
of not always asking for more
than I offered.

This was true of him
with others too.
What a gift he had this way!
I’ve tried to do this,
but it doesn’t come easy to me.

This is not to say
all was well with my father.
He spent most of my life really,
stuck and not happy and dying.

He’d take medicine or have surgery,
do what the doctors said,
but he wouldn’t or couldn’t examine
or change his ways
to become healthy and whole.

What happened to the strapping boy of sixteen
who biked a hundred miles in one day
to visit his uncle, then rode back home again?
What happened to his sense of adventure
and freedom and spirit?

I don’t know.
Lots of things can happen in a life.
Why are some crushed
and others thrive?

Yet I see how much of me now
comes from this man.
How much he passed on
stays with me still
and has brought me to
this perfect moment.

Margaret Dubay Mikus
© 1995

6/1/05

Upon Serious Consideration

I am not my father
what he did or did not do
is not my choosing;

how he died,
how he lived,
whether he was happy,

or satisfied
had little to do with me,
his oldest daughter.

What he could tolerate,
what abuse he got and gave,
his temper, his intellect,

his humor, his blood pressure,
blood sugar, cholesterol,
scars, mistakes, history,

none of this is mine.
I have a fresh slate
upon which to write.

Margaret Dubay Mikus
© 2005

6/11/06

Composite Feet

Perhaps the lack of metatarsal arch
from my mother, the shortened toes,
bunion (genetically inclined).

And from my father (gone now twenty years)—
I don’t remember his feet, perhaps I got the high arches,
the high insteps, now falling.

From him I got my love of walking.
In his prime I remember one day—
maybe when the house was up for sale

and the kids needed to be away—
he took us to the woods somewhere near
and we walked until exhausted—

that was the point. And at that point
none of us could best him—not like later.

And I remember when I was older
and did not go on family vacations
to state parks in Michigan,

my father was driving north
and the car overheated and to keep going
he ran the heater—in deep summer—

not knowing the diabetic neuropathy
was so advanced he couldn’t feel
his foot burning. And when they

arrived and set up camp
and he took off his shoes
and took off his socks

the skin of his right foot—
his accelerator foot—
came off too.

Margaret Dubay Mikus
© 2006

9/19/06

From Yoga Meditation

I am playing piano
my father sits on the sofa
in the living room
of our house on Eastwood.
He listens to Moonlight Sonata
and improvising sometimes for hours.
I play and he listens.
I do not know how often this happened
maybe once or maybe regularly.
I loved to play and felt it relax him.
I do not remember him ever
commenting or complimenting,
just listening to his oldest daughter
do what she loved.
And that was…and is…enough.

Do you know how hard it is
to re-write the old stories
to heal from wounds old and deep
to rest, finally?
To remember even harsh things
with compassion and understanding
to forgive and let go?
It is hard sometimes
but can be done
and must be done
to heal and move on.

This story of playing piano
and listening is true.
To remember so vividly
the room, the furniture,
the draped windows along the side
to see him so clearly sitting there
what a gift to have him back
for a bit.

Margaret Dubay Mikus
© 2006

Scar Resolution?

Last fall, I read my poem, “Life Review of External Scars” at an open mic at the Geraldine R Dodge Poetry Festival at Waterloo Village, NJ. I prefaced it by saying that this poem was in some ways darkly funny, though the list of scars is long and might seem dreadful. Over the years, I have developed a very well-honed dark sense of humor, sometimes laughing at times that might seem inappropriate, a funeral for example. It’s just my way of coping with what sometimes seems to be an ongoing onslaught of hard times. It is of course true that many scars are internal, not visible to the eye. Scars can also be in a culture as well as a person. “Should We” was written a few days after my bilateral lumpectomies, when I was very specifically dealing with raw, new scars on a sensitive area (emotionally and physically). I often read it now as a plea for peace. “Now As I Am” addresses the idea of being at home in the body, or the longing to feel that way, a topic I return to over and over.

8/30/96

Should We

be known
by our scars
or by how far
we’ve come since
that wounding?

Could we
look at
where we are,
not
where we’ve been
and what’s been done?

Margaret Dubay Mikus
© 1996

4/28/08

Now As I Am

I opened the front door
to the home I once had
and began to unwrite
the unwritten rules.

Unvoiced expectations
so heavy a load
my shoulders were bowed.
Internalized judgment
passed down generations.
Rules of behavior
kept me glued to this spot
in fear of mistakes or imperfection,
shame, guilt or embarrassment.

And even one step forward
was too much to take
under such a burden.
Time to lay that burden down.
Thank you for any gifts
and ask forgiveness.

Forgiveness for the lack of trust,
forgiveness for forgetfulness,
forgiveness for any harsh words
or unkind thoughts or anything
less than generous.

When I look into clear blue eyes
in a mirror and see the pain there
and the laughter, the willingness,

I am encouraged,
I am nourished.

And I open the door
to a home I once had
and open the windows
to let in the light,

disperse the shadows,
freshen the air,
so that now, as I am,
I can come
back in and live there.

Margaret Dubay Mikus
© 2008

9/4/08

Life Review of External Scars

remembered or deduced, roughly in order

The belly button it could be argued,
though the cut part fell off.

The white slash so near the right eye where
grandma’s golden retriever got me at three.

Jumping in bed, hit Mom and Dad’s dresser corner
with my chin. No staples, but butterflies to minimize scarring.

Hard swing, playground first grade, gashed skull, first stitches.
Dr. Griffin, kind man, talked me through it.

The visible, but not noticeable, line across
the fleshy lower third of my left index finger,

cut when I tried to get at a box of brown sugar
with our largest sharp knife and the hard block

did not yield, the blade slicing through the box
and into me down to the bone. Parents out,

leaving us to baby-sit: I was second oldest.
Terrified. Cold compresses to stop the bleeding.

No stitches, butterflies when Mom got home or next morning.
Four deep Staph. infections: left thumb in eighth grade;

right side of nose bridge, left temple and cheek,
in the middle of high school when most self-conscious.

Inch mystery scar outside of right thigh.
Tonsils removed at nineteen.

Small dimple scar on tailbone from pilonidal cyst
the size of a small orange, painful to sit on, then burst open.

Two episiotomies, network of stretch marks
from carrying and delivering watermelon babies.

Thirty six? was it? “voluntary” stitches to remove
suspicious, questionable large moles…that proved of no consequence.

Two and three-inch fine lines from breast cancers removed,
now replaced by two eight-inch thin seams fading to white,

overlying scar tissue where breasts once were.
Three umbilical incisions repairing hernias plus

two half inch slits at bikini line, removing tubes and ovaries.
All the mosquito bites, bee stings, falls, sprains,

strains, scrapes, burns and bruises healed to invisible.
Each one a miracle.

No physical trace of measles, chicken pox, flu,
small pox vaccines, Tb tests, hard bumps,

swollen lips, teenaged breakouts,
however transiently embarrassing.

No discoloration or inflammation from adult poison ivy,
no convincing demonstration of the initial devastation.

All this not to whine, the pitiful victim,
but to take a moment to realize how far I’ve come…

still standing.

Margaret Dubay Mikus
© 2008

“Should We” is from As Easy as Breathing (p.76) and is also read on the CD, Full Blooming: Selections from a Poetic Journal.

Healing Power of Poetry

Some “thoughts” over the years on the role of poetry in healing.

What do you think?

2/25/03

The Poet

I am my mother’s daughter
and I am the Mother of my Self—
one who made the form
and one who filled it.

And I am the mother of my daughter,
a beauty like no other.
She forgot to wash her socks until midnight and,
smiling her smile, asked if I could put them in the dryer
and I did…easily…again.

Who rules on any given day?
What boundaries between the roles I play
tying me to sanity?

No instructions, no models or even myths.
In all the worlds there ever were
not one has ever been exactly like me…or you.

Or has done what we are about to attempt.
I am tempted to stop, not life, but struggle
to be more, to become what I imagine.

But a poet who is fearless,
who carries on regardless,
whose words are kind and true and honest

is more than essential for survival…
is the compassionate and dispassionate glue
that holds it all together—

or later, after the fall,
uses the bricks from the wall
to make something else altogether.

Margaret Dubay Mikus
© 2003

4/21/06

My Lesson

If I take on your pain
but do not get with it
the tools to work it through—

the tools you have been given
as this is your lesson—
then all I get is grief

and all you get is numb,
temporarily. Brace for
the next onslaught

perhaps even worse.
But if I leave you
your pain, no matter

how deep and bitter,
and sit with you in the dark,
holding your hand in hope,

perhaps speaking in a soft,
reassuring voice, or sitting
in rich silence,

then you may discover
the tools you were given,
buried deep or resting in your hand,

and you may recover
your power to heal
yes…even from this.

Margaret Dubay Mikus
© 2006

2/1/07

Poetry as Healer

And you might say,
how can poetry heal,
it is not a pill I take
into my body?

And I would respond thus
from my heart, the source of poetry:
poetry is word spoken
which is vibration
which is energy
and the body which is matter
is energy very slowed down,

so poetry is energy
into the body which is energy
so energy heals energy.

Of course the frequency of vibration
of the words is important. There are
words that tear down, as you know.

And, as has been graphically shown with
the crystals of Emoto, there are words
which health can be built upon.

These words from the heart
with healing intent,
these are the words that heal,
there is no doubt.

Try them out.

Margaret Dubay Mikus
© 2007

2/27/07

Thinking of Beate

Sometimes art heals
by soothing, sometimes
by lancing the boil, or
by opening the eyes
to fresh possibilities.

Sometimes it is closing a door
to a room filled with stale air,
sometimes a scream
from a dark bottomless pit,
sometimes presenting
wonder on a silver platter.

Sometimes art compels to look,
sometimes can barely look;
the healing can be subtle
or heart pounding,

one moment resounding
over the ages.
All I am telling you is this:
there is no doubt art heals.

Margaret Dubay Mikus
© 2007

“The Poet” is from my CD, Full Blooming and my next book, Letting Go and New Beginnings: Poems and Photographs

“Poetry as Healer” and “Thinking of Beate” are from my chapbook, New Year’s Eve Surgery, 2007.